I don’t normally share or reblog posts but today I want to encourage you to have a look at my friend and colleague, Ben Brooker’s, new blog, Kate’s Words, and then go over to Brevity and see what they’re up to.
Ben is a respected critic, essayist, playwright and author of many published short stories and poems. Several of his reviews are featured on his original blog, Marginalia. Given his interests, Ben’s writing style is invariably precise, rigorously researched, and intellectually subtle and balanced. In Kate’s Words, Ben plans to slough off scholarly strictures and relax his writing muscles. I’m eager to see what his blog produces and very tempted to follow his lead. I also like the premise – have a friend send you a word and free write on the word to see what emerges.
Because I cannot find a definition of ‘free writing’ in my normally trusty Oxford English Dictionary (Grrr, OED) I have to resort to Wikipedia, which defines free writing as
a prewriting technique in which a person writes continuously for a set period of time without regard to spelling, grammar, or topic. It produces raw, often unusable material, but helps writers overcome blocks of apathy and self-criticism. It is used mainly by prose writers and writing teachers.
This article gives you a deeper idea of what freewriting is and the angst often connected with trying to do it in the classroom. I admire Ben’s willingness to share his free writing because I am usually a bit ‘precious’ about what I write. As Peter Elbow writes in his article,
I’m a bit ambivalent about shared or public freewriting. On the one hand
I tend to avoid it in favor of private writing. For I find most people’s writing has suffered because they have been led to think of writing as something they must always share with a reader; thus we need more private writing. On the other hand I love the sharing of freewriting – for the community of it and for the learning it produces. It’s so reassuring to discover that unplanned, unstudied writing is worth sharing.
‘Toward a Phenomenology
of Freewriting’, p 52.
So, Ben, if you’re reading this, send me a word and I’ll try to be brave enough to share one piece of unplanned, unedited, raw work.
This allows me to segue into the second blog I wish to share, Brevity, a favourite of mine because it features (carefully edited) short creative nonfiction, sometimes known as narrative nonfiction. Brevity recently celebrated its 20th anniversary and it’s currently running a series of fascinating blogs where, as Shane Borrowman the editor of The <750> Project explains, four authors
return to a previous publication and take on the task of either shortening their piece or expanding it.
Asking writers to modify a previous article is a bold move, and the writers are to be admired because of their willingness to do so publicly. It is also a brilliant way to help beginning writers, indeed all writers, improve and enhance their practice. I hope you take the time to check it out. The first example can be found here.
In the meantime, over at Elixir’s sister blog Concise, I have stuck to my routine of writing and posting a piece of flash fiction every two days. I’ve posted five stories and there’s two more to go; I cannot continue the project indefinitely because running two blogs and sending other pieces to competitions is about as much as I can handle at the moment. I have, however, really enjoyed the exercise and I hope you’ve enjoyed the stories.
What do you think of Ben’s method for loosening up his writing? What is your favourite writing prompt or activity? What do you think of Brevity’s <750> Project? Have you ever tried to shorten or lengthen a piece of writing? How did it feel and what did you learn?